심리학의 원리/심리학의 원리two
심리학의 원리/심리학의 원리two
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What probably continues to be real, nonetheless, is that the majority Adult males Use a less auditory and a far more articulatory verbal creativeness than They can be apt to pay attention to. The experiment proves how dependent our verbal creativeness is on true thoughts in lips, tongue, throat, larynx, and so on. The usually-obtained plan is that it's only a milder degree of a similar course of action which happened once the matter now imagined was sensibly perceived. Trust me, who for many a thousand yr The exact same tough meat have chewed and tested, That in the cradle on the bier No male The traditional leaven has digested! In favor of your sensationalistic or nativistic view of one this kind of situation, see the crucial paper by Von Kries, Archiv f. Once we come to study hallucinations within the chapter on Outer Perception, we shall see this is by no means a factor of exceptional occurrence. A man blind of his Visible Mind-centres can no far more see darkness out on the areas of his retina which might be linked Together with the brain-lesion than he can see it out of the pores and skin of his back again.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A good way of bringing The problem to consciousness is that proposed by Stricker: Partly open up your mouth and then consider any word with labials or dentals in it, for example 'bubble, 'toddle.' Is your graphic below these disorders distinct? The movements of articulate speech Enjoy a predominant component in his mental everyday living. I'll Engage in the comedy with artwork. The enigmatic experiences from the influence of magnets and metals, even should they be due, as several contend, to unintentional recommendation over the operator's part, undoubtedly require hyperæsthetic notion, with the operator seeks also as you can to conceal the moment if the magnet is introduced into Enjoy, and nonetheless the topic don't just finds it out that moment in a method obscure, but may create effects which (in the 1st occasion definitely) the operator did not expect to find. The boy taking part in 'I spy,' the criminal skulking from his pursuers, the superstitious individual hurrying with the woods or past the churchyard at midnight, The person shed during the woods, the Female who tremulously has designed an evening appointment with her swain, all are subject to illusions of sight and seem which make their hearts defeat till They're dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.